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First Year Thinking & Doing Sound

Walking Blind

The other day we went on an experimental lecture through the woods; blind folded! We were visionally disconnected to the world which made us focus on our audible sensory. While writing down the sounds we experienced I learnt something fascinating about the way the mind and the ears connect…

While on the walk we were led through dangerous and unnerving routes. This heightened my nerves and made me feel extremely tense. What amazed me was that although geographically I was in the same place- my brain chose to hear another! When scared I heard different sounds and my audible visioning was panning into other sounds. My focus was survival rather than pleasure. While I was relaxed I would hear easier things such as wind and trees in juxtaposition to approaching footsteps or dog’s barking when I scared.

I decided to focus in on this and use this for my work. When blindfolded the sounds of my surroundings were automatically heightened. This began to create a whole entire emotion and feeling just through sound. I plan to blindfold my viewers when presenting my sound in order for them to experience my piece at its best. My experiences taught me that harder sounds create more feeling. This encourages me to create uneasy listening for my work; in order to get maximum emotive responses. 

Categories
First Year Thinking & Doing Sound

What Is Sound Art?

What is Sound Art? – 05.10.21

Today we were asked to break down and form an Ontology of Sound Art. Although this practice could take years (if not forever!) to find the answer, I believe I have found a happy medium in which I can continue my creative process towards the future. Basing back on the studies shown on Sam Auinger I continued the idea that ‘Sound Art’ was creating noise into something worth listening to; in order to evoke emotion or feeling. We touched upon the basis of positionality and how it is this which shapes not only the art you create but also the art you listen and connect to; e.g. your race, culture, heritage, age, gender, religion, etc… This for me was an interesting concept as it apposed the question of what actually is sound art subjective snd objectively. Some members of the class stated that it is sound that was “intentionally made”. However once again linking back to Sam Auinger’s work on urban planning he uses traffic noises, which I am sure drivers had no intention of making art. Others in the class also stated that music is not sound art. This I disagree with entirely! To me, my subjective point of view on sound art is that any sound ever can be made into art and who is to decipher whether it fits into the category of “sound art” or “sound”. A common example used was a bird singing or other animals creating animal noises. To one that may just be sound whereas to others that can be sound art, or in some senses music! Although I agree music follows more traditional concepts such as musicality, rhythm, and melody; an array of organised sound. However, this does not mean it can not be sound art. This phrase overlaps into so many genres and I don’t believe there is one set answer. When recently watching a documentary on the making of ‘Sgt. Pepper’s Lonely Hearts Club Band’ – The Beatles, it was described that during the bridge of ‘A Day In The Life’ the orchestra was told to play any random notes so long as they didn’t correspond to the person sat next to them. This reflects the idea that although it is widely known as music it is not organised and could be used as an idea or concept as sound art. This piece for me uses sound to create and evoke so much emotion and feeling which is what I believe sound art does. So can I not call it sound art yet? It uses sound as the medium to tackle someone’s feelings based on their positionality and contextual background. Similarly, Sound Art for the screen is a commonly used practice, however, does this give composers such as Hans Zimmer the right to be called a “Sound Artist” or do they just create organise music.  Although one should be known as what one wants it to be known as – to me there is no differentially between the two. Sound Art is the tree and their style or genres are the branches and the leaves. I look to approach and use this theory within my future work and hope to develop a sound that creates feeling and touches someone based on the context and subjectiveness of the piece. I don’t believe in restricting any sound from the subject as “Sound Art” and hope to continue this in the most unique and creative way I possibly can. Any sound can be sound art it’s just whether or not it suits your positionality.

“Sound Art is an art that can be heard”- Tate

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First Year Visiting Practitioners

Sam Auinger – Harmonic Bridge

Sam Auinger a ‘Sonic Thinker’ meaning he basis his philosophy upon his aural experience of the world. He often focuses in on the idea of Urban Planning. I connect to the idea of this as I can appreciate his understanding for using all the sound we have around us. This was reflected in his 1998 installation piece ‘MASS MoCA’. He used the existing car sounds taken from a road bridge and built a speaker which would play the sound of live traffic and turn it into a cloud of sound. What once was known to separate the town from the museum had now become what’s known as a harmonic cathedral! I think this shows Auinger’s ambition to not only reunite society physically but also reunite lost noise and noise we become aware of. Using the sound to create such a harmonic humming reflects his views on sonic thinking and using the sound in which is around us. I hope to use this in the future by either creating sound with field recordings or existing sound. He not only uses singular sounds but also engineers them to become something enjoyable and easy to the ear; linking back to his efforts to reunite lost sound and sound we consciously hear. He closely works alongside artist Bruce Odland together becoming ‘O+A’ where they closely focus upon hearing perspective within large public spaces. Creating work such as Sonic commons bringing many foregrounds as to why and how people perceive sound within urban spaces. Making noise into conscious listening! https://vimeo.com/71463497