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Contemporary Issues In Sound Art Second Year

Characteristics of Powwow:

Within my new sound piece, I wanted to present the identity of Indigenous first nation people and how they use this within their sonic auditory. With my case study being ‘A Tribe Called Red’; they focus their work on the merge of EDM and Powwow music. I decided to sample traditional Powwow and learn the characteristics of the traditional sound and what it means.

Powwow music is a form of Native American music that is traditionally performed at powwows, which are social gatherings and celebrations of Indigenous culture and traditions. Here are some characteristics of powwow music:

Powwow music is an old heritage that more often is a social gathering to celebrate their culture and centuries of tradition and community. The first characteristic consists of Drumming. The Powwow drum is usually a large 2 sided drum which is played in unison by a group of drummers alongside singing. Secondly, the music usually has a strong vocal throughout. Mainly in a style of call and response between the lead singers and other members. Lyrics usually consist of indigenous first nation language – telling stories and spiritual messages about heritage and lore. Rhythmically the music depends on what dance they are performing during the Powwow performances. Sometimes, melodies may be incorporated through a flute, fiddle or guitar.

Categories
Contemporary Issues In Sound Art Second Year

Claiming Identity – The Power It Holds Auditory

As I listened to Samson Young speak about his form of storytelling and identity through his work, I later researched further into his piece ‘Nocturne’. The effect this sound installation held on the audience; creating a pathway of exploring old fallen soldiers from WW1 and a reflective soundscape, influenced me heavily.

The power of storytelling within the sound is a beautiful thing that explores the theory of deeper listening beyond the sound itself and the attached context within the sonic practice you hear. In my opinion, this forms a telling dynamic with the audience beyond the auditory; leaving room for empathy, sympathy and understanding. It gives a platform for the listener to connect further into a sound installation and see glance through the artist’s vision.

In the past, my work, I have touched upon identity and storytelling in sound installation previously. I chose to interview a series of people on portobello road discussing their purity stories and chosen music genre when growing up. Having insight into someone else’s life shapes a piece emotionally differently when not used. Despite this success, I have reflected on Young’s lecture and my previous work and contemplated the idea that I have never included anything about my own identity within my work. As an artist, I have always been driven towards the storytelling of others and lacked any self-reflection. Taking this I have decided to begin including a sense of identity with my future work. This way it will allow listeners to form a bond with me as an artist and hopefully clarify the context better than it did before.

This is a section taken from my previous sound exhibition showing Identity.